Auditions: SATURDAY, JUNE 20th at 6PM
Please complete an audition form and select your time slot prior to auditions date.
Callbacks: SUNDAY, JUNE 21st
Director: Kyle Patrick Weber
Musical Director: Brittany Lustig
Choreographer: Edie Guida
Assistant Director: Maddie Siderio
Stage Manager: Maria Diaz
AN AUDITION FORM MUST BE COMPLETED PRIOR TO THE AUDITIONS DATE
Upon submitting your audition form, you can select a time slot for auditions
Video Submissions are accepted no later than 24 hours before the listed audition date
What To Prepare:
Please arrive to auditions 15 minutes prior to your audition time slot.
Be prepared with 32 bars of any musical theatre song that best fits and showcases your range.
We ask that you do not audition acapella.
A Bluetooth speaker is provided for accompanying tracks.
Please do not sing a song from the show.
Dress comfortably for the dance portion of auditions.
For example:
No flip-flops or other shoes that will impede your ability to dance safely.
No overly restrictive or revealing clothing.
Audition Day:
Please complete an audition form prior to the auditions date.
A link for the audition form is below.
Please arrive 15 minutes prior to your audition time slot.
Resume and headshot are not required but appreciated.
Vocal auditions are private infant of only the production team.
Dance auditions will be completed in small groups based on registered time slots.
If called back, secondary auditions will take place the following day by invitation only.
Based on the hit 1992 film, Sister Act is a joyful musical comedy filled with laughter, heart, and powerhouse vocals. When aspiring nightclub singer Deloris Van Cartier witnesses a crime, she is placed in protective custody in the last place anyone would think to look for her: a convent. As Deloris struggles to adapt to her new surroundings, she unexpectedly transforms the convent choir into a musical sensation, inspiring the sisters and revitalizing the community. Featuring original music by Alan Menken, this uplifting musical celebrates friendship, self-discovery, and the power of finding your voice.
Book by Cheri Steinkellner & Bill Steinkellner | Music by Alan Menken | Lyrics by Glenn Slater | Additional Book Material by Douglas Carter Beane
Based on the Touchtone Pictures Motion Picture Sister Act (1992) written by Josephs Howard
Presented through special arrangement with Music Theatre International (MTI).​
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​​Deloris Van Cartier (Female Presenting) | Vocal Range: E3–F#5
An aspiring nightclub performer with big dreams and a bold personality. Funny, confident, and outspoken, Deloris finds unexpected purpose and connection when she helps transform the convent choir.
Mother Superior (Female Presenting) | Vocal Range: D3–E5
The disciplined and protective head of the convent. Sarcastic, guarded, and resistant to Deloris at first, she is deeply devoted to her sisters and the life they have built.
Sister Mary Robert (Female Presenting) | Vocal Range: F#3–A5
A shy young postulant who has grown up in the convent. Soft-spoken and reserved, she begins to discover her confidence and her voice through Deloris’s influence.
Sister Mary Patrick (Female Presenting) | Vocal Range: Not specified by MTI
A cheerful, energetic, and enthusiastic nun who brings warmth and excitement to the convent. She is quick to embrace Deloris and the joy she brings to the choir.
Sister Mary Lazarus (Female Presenting) | Vocal Range: F3–B4
The convent’s choir director. Dry, deadpan, and initially skeptical of Deloris, she eventually gets swept up in the new sound and spirit of the choir.
Monsignor O’Hara (Male Presenting) | Vocal Range: E3–G4
A priest concerned with the convent’s financial future. Well-meaning and practical, he is pleasantly surprised when the choir’s new energy begins attracting attention.
Curtis (Male Presenting) | Vocal Range: A2–Ab4
A dangerous club owner, gangster, and Deloris’s boyfriend. Cocky, controlling, and intimidating, Curtis is the threat Deloris must escape.
Eddie Souther (Male Presenting) | Vocal Range: Ab2–B4
A police officer and former high school classmate of Deloris. Nervous under pressure but kind and loyal, Eddie wants to protect Deloris and prove he can be her hero.
TJ (Male Presenting) | Vocal Range: Db3–Eb5
Curtis’s nephew and one of his thugs. Lovably dim and often clueless, TJ brings comic energy to Curtis’s crew.
Joey (Male Presenting) | Vocal Range: Bb2–Eb5
One of Curtis’s thugs. A self-proclaimed ladies’ man, Joey is confident, flashy, and often funnier than he realizes.
Pablo (Male Presenting) | Vocal Range: C4–F5
One of Curtis’s thugs. A natural follower who frequently speaks Spanish, Pablo adds physical comedy and attitude to Curtis’s trio.
Sister Mary Martin-of-Tours (Female Presenting) | Vocal Range: Not specified by MTI
An eccentric nun who often seems to be in her own world. Though quirky and unpredictable, she has moments of surprising clarity.
Sister Mary Theresa (Female Presenting) | Vocal Range: Not specified by MTI
The oldest nun in the convent. She may appear frail, but she has unexpected strength, spirit, and comedic presence.
Michelle (Female Presenting) | Vocal Range: Bb3–F5
One of Deloris’s backup singers. Stylish, sharp, and quick with a comeback, Michelle brings confidence and attitude to Deloris’s nightclub world.
Tina (Female Presenting) | Vocal Range: Ab3–F5
One of Deloris’s backup singers. Fun, flashy, and a little naive, Tina helps establish the high-energy world Deloris comes from.
Ernie (Male Presenting) | Vocal Range: Not specified by MTI
One of Curtis’s thugs who initially appears to be a simple yes-man but is later revealed to be an undercover police informant.
Ensemble (All Gender Presentations) | Vocal Range: Various / Not specified by MTI
Includes nuns, bar patrons, homeless citizens, fantasy dancers, and other featured roles. Strong singers, dancers, and character actors are encouraged to audition.