Auditions: Saturday, October 14th, 2023 @ 6PM
Registration for auditions is at 5:30 PM - Please arrive on time.
Callbacks: Sunday, October 15th, 2023 @ 7PM
Director: Heidi Condon
Musical Director: Jillian Kober Cooke
Choreographer: Edie Guida
Monday 7:00-10:00 PM
Tuesday 7:00-10:00 PM
Wednesday 7:00-10:00 PM
Thursday 7:00-10:00 PM
Off Friday & Saturday
Sundays 2:00-6:00 PM
*Video Submissions are accepted no later than 24 hours before the listed audition date*
What To Prepare:
Please come to auditions prepared with 32 bars of any musical theatre song that best fits and showcases your range.
Give your audition as much character as possible!
We ask that you do not audition acapella. An accompanist will be present as well as a Bluetooth speaker.
Also Please Do Not Sing a song from the show.
Dress comfortably for the dance portion of auditions. Absolutely NO Flip-Flops for the dance portion of auditions
Registration begins at 5:00 pm on October 14th
An audition form is required to be filled out upon arrival (resume and headshots are optional but appreciated)
Auditions will begin at 6:00 pm
Auditions are private. Vocal auditions will be performed in front of the production team alone.
If called back, secondary auditions will take place the following day, October 15th, beginning at 7:00 pm
Cinderella, the new Broadway, revised musical by Richard Rodgers and Oscar Hammerstein II was nominated for nine Tony Awards and was originally written for a 1957 television broadcast starring Julie Andrews. This most popular of all fairytales is a timeless story a virtue reward.
Sweet, beautiful Cinderella, cruelly mistreated by her evil stepmother and stepsisters, is helped by her magical fairy godmother, who sends her off to win the heart of a handsome prince and live happily ever after. A treat for the whole family.
Ella: Idealistic and hopeful, she courageously challenges the prince to change the
policies in the kingdom - and helps him discover who he truly is. Soprano B3-Eb5
Topher: A misguided and lost prince who longs to do something important with his life. Baritone C#3-A4
Madame: Ella’s selfish stepmother, the epitome of vanity and fashion. Mezzo- Soprano C4-D5
Sebastian: The kingdom’s Lord Chancellor and trusted advisor to the Prince, though uses propaganda and dishonesty to keep Topher in the dark about his kingdom.
Marie: A friend to Ella and the town’s crazy lady and beggar who also happens to be a Fairy Godmother. Soprano A3-Ab5
Gabrielle: Ella’s stepsister and publicly follows her mother and sister but secretly empathetic, passionate, and drawn to Ella and Jean-Michel. Soprano C4-G5
Charlotte: Ella’s stepsister who is brash, self-centered, materialistic and always wants to be the center of attention. Mezzo-Soprano B3-F5
Jean-Michel: A feisty, passionate peasant determined to make a change for the starving class. Also has a crush on Gabrielle. Baritone C3-G4
Lord Pinkleton: Sebastian’s right-hand man who announces royal balls, banquets and occasionally the weather to the villagers. Tenor D3-A4
Ensemble: Interchanging parts to include a Giant, Fox and Raccoon, Footman, Coachman, Knights, Peasants, Townspeople, Ladies and Gentlemen of the Court, etc.
Sopranos C4-Bb5, Altos Bb3-F5, Tenors D3-Bb4, Basses Bb3-F4
For more information, please contact the box office (M-F, 12PM-4PM) by calling 772-287-4884.
You can also email the director, Heidi Condon: firstname.lastname@example.org